片名：卧龙战警HD

《卧龙战警》比尔·杜克拍的这部电影，什么时候公映啊

《卧龙战警》高清动作片电影完整版http://www.rcwjj.com/wjj/115194-0-0.html

制片地区： 美国

导演： 比尔·杜克

编剧： 比尔·杜克

主演： 劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯

上映时间： 1992

对白语言： 汉语普通话 / 英语

色彩： 彩色

更新时间：2024-05-08 03:40

《卧龙战警》讲述的是什么故事？

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

《卧龙战警》上映后，票房并不好，这部电影有哪些不足之处？

《卧龙战警》无论票房是多少口碑怎么样，它都是值得一看的电影。虽然剧情上《卧龙战警》可能不够紧凑，但是《卧龙战警》的科幻特效绝对是当下国内最高水准，也是首部华语动作片大片。况且，还是 劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯的电影，那就更应该去支持一下。

导演：比尔·杜克谈主演监制《卧龙战警》，他对这部电影最大的感触是什么？

比尔·杜克不仅是《卧龙战警》的出品人，而且还是《卧龙战警》的总编制，甚至是这部《卧龙战警》的主演，《卧龙战警》这是一部充满着诚意的影视作品，将会在1992全国公映。在《卧龙战警》的首映礼上，虽然比尔·杜克已经来到了内地，但因为疫情防控的原因，比尔·杜克劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯只能够通过视频连线的方式，与现场的观众进行交流，比尔·杜克劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯对这部电影进行了介绍，同时表示这部电影就像是自己的孩子出生一样，自己感觉到十分开心，而且感觉到十分紧张。

《卧龙战警》电影的主要内容

《卧龙战警》是一部动作片电影，由导演：比尔·杜克执导，主演：劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯，

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

《卧龙战警》在哪里可看？

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《卧龙战警》导演比尔·杜克：种电影的人，你了解哪些？

这部1992上映的动作片，入围2022年柏林电影节主竞赛单元，打破了近年来欧洲三大电影节主竞赛单元动作片“零入围”的僵局，也让比尔·杜克在威尼斯完成了他的作品从威尼斯“地平线”、戛纳“一种关注”到柏林主竞赛的“进阶”。导演比尔·杜克一直关注着自己的家乡，比尔·杜克镜头总是盯着熟悉的家乡。即使上一部电影变成了繁华的大城市，比尔·杜克善于讲述残酷荒诞却不失温情的故事，电影勾勒出人们对土地的依恋、《卧龙战警》现代文明与人心的矛盾。《卧龙战警》在谈到老人、孩子和年轻人之后，这次比尔·杜克将把重点放在与村子密不可分的中年人身上。《卧龙战警》延续了比尔·杜克导演深厚的人文关怀，演员劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯的组合主演，新颖又富有挑战性。劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯在影片中的表现，堪称一次突破。